Sunday Concerts –
Sometimes we need to change the musicians or programme (e.g. illness) and may not be able to give advance notice.
All
concerts start at
11 May
NZ String
Quartet (above) Robert Orr (below)
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When the New
Zealand String Quartet is joined by another player a whole new range of
entrancing music opens up. Here it is
Robert Orr, NZSO principal oboe, in two of the loveliest pieces in the oboe quartet
repertoire by Mozart and Britten. As well we will
have Martinu’s Madrigals for violin and viola – the
last decade has seen an awakening to the great body of his acerbic yet
engaging music. This concert ends with
one of Beethoven’s early string trios, imbued with charm, wit and
intelligence. The quartet is Quartet
in residence at Victoria University of Wellington. |
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Richard Mapp (piano) 1 June
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An exploration of the idea of ecstasy in
music, and of the key of F sharp Major seen through the eyes of three very
different composers, this concert includes Scriabine’s
marvellously idiosyncratic Fifth Sonata and some of the pieces from Messiaen’s spiritual masterpiece, Vingt
Regards sur l’Enfant Jésus. Richard Mapp
is Head of Piano Studies at the Conservatorium of Music, |
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Amici Ensemble (violin, viola, cello with piano, soprano, clarinet, double bass) 22 June
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A Sunday of SchubertA choice of
Schubert for the Amici Ensemble’s concert includes three of his most loved
works. The Trout Quintet and the
breathtaking B Flat Trio might well make a highly satisfying programme by themselves
and, in addition, they will perform the enchanting Shepherd on the Rock. The string
players, Donald Armstrong (violin), Vyvyan Yendoll (viola), Allan Chisholm (cello) and Dale Gold
(Double Bass) will be joined by pianist Emma Sayers, clarinettist Mary Scott
and soprano Jenny Wollerman. |
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Saxcess (saxophone quartet) 13 July
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In 2002 Saxcess celebrated their tenth year as a unique and
hugely popular saxophone ensemble.
They persuade jazz lovers of the beauties of classical music as they seduce
classical devotees with their witty treatment of jazz and other music. Leader Deborah Rawson says, “We aim to play
every style, to show that the saxophone is a hugely versatile instrument.” Their programme
ranges from the baroque, through Mussorgsky’s Pictures, to jazz and two
engaging |
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Goldfingers (string quartet) 27 July
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The programme
and style of this Auckland-based quartet, led by adventurous violinist Lara Hall,
could well derive something from the Kronos and the
Brodsky quartets. They embrace the
challenge of attracting younger audiences by unashamedly choosing music of
vivid colour, melodic delight, strong rhythm and deep emotion. Their programme
will range from classical favourites and two well-entrenched pieces by |
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Scaramuccia (violin, flute, harpsichord) 10 August
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Winter NightsScaramuccia
have taken as a starting point the programmes of the Musical Societies of
Scotland (the 18th century equivalent of the The group
performs the foot-tappingly infectious tunes and
haunting melodies of old Scotland alongside the works of the great Italian
violinists of the 17th and 18th centuries, just as
would have been heard in Edinburgh, Glasgow and Aberdeen. |
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Flight (harp, flute) 24 August
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Bridget Douglas
(flute) and Carolyn Mills (harp) have performed to great critical acclaim in
arts festivals and concert series throughout Here they play
some of the gems that make this combination so entrancing: from core
repertoire like Handel through French pieces so perfectly adapted to the
subtleties of these instruments, to a new work by |
19 October
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Violinist
Justine Cormack, pianist Sarah Watkins and cellist
Ashley Brown join in launching the New Zealand Trio – three professionals as
well known in their own right, now committed to this innovative and energised
ensemble which brings varied and inspiring performances to audiences in At this concert
as the New Zealand Trio they balance two great 19th century trios
with two |
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Felix the Quartet (string quartet) 9 November
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Wilma Smith,
now Co-Concertmaster of the Melbourne Symphony, returns to Fascinating
light will be cast on their performances of two of the greatest quartets by
Haydn and Beethoven through their association here with the Quartet No. 3 by Schnittke. |
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